Max Raimi


Children. Image credit: Alfred Eisenstaedt.

When we throw together these shows on one rehearsal, with an undermanned orchestra augmented by freelancers who perhaps have never played together before, we are again denigrating the intelligence of our audience: “They won’t know the difference.” In my experience, this is profoundly wrongheaded.

Pierre Boulez in 1964, Image credit: Erich Auerbach/Getty Images

In a man who was famed for his “modernism”, Boulez’s faith in man’s eternal journey ever closer to perfection seems a quaint 19th century mindset. It is a way of looking at the world that was, for most of us, discredited by the nightmare of the 20th century’s totalitarian conceptions.

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