Looking Forward

We are deeply grateful to be welcoming our third year as the Future Symphony Institute. Our journey continues to be one of discovery, inspiration, and friendship. Thank you to our many readers and supporters. We look forward to sharing with you some exciting projects that are developing behind the scenes this year. Stay tuned for more details.

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New & Noteworthy

Interbrand

Organizations wanting to extract immense, even disproportionate, value from their brands must, like Wagner, work as polymaths; they must be great storytellers, impeccable orchestrators, innovative designers, consummate engineers, as well as uncompromising perfectionists.

Future Symphony Institute

In a time where all the parameters of our civilization are shifting, and especially considering the current rise of populism everywhere in the Western world, it is of the greatest importance that the nature and purpose of classical music be articulated and argued – that it be protected from erosion and attacks based upon ignorance and misunderstanding.

Boston Symphony Orchestra

There has been a drumbeat of naysayers who prophesy the doom of symphony orchestras, telling us in somber tones that only rich, old folks go to concerts these days. I’m sorry, but that’s not how I’ve seen things.

Future Symphony Institute

Dave was one of my very first supporters and not only encouraged me, but backed me in the hard work of establishing FSI. He was rooting not only our home team, the Baltimore Symphony Orchestra, but for orchestras all around the country.

Future Symphony Institute

To dismiss Latin and Greek, for example, because they are not “relevant” is to imagine that one learns another language in order, as Matthew Arnold put it, “to fight the battles of life with the waiters in foreign hotels.”

St. John's College

Music, as a living presence that comes to us, offers itself to us, assures us that we are not alone: that there is something out there in the world that knows our hearts and may even teach us to know them better.

St. John's College

Music as symbol is the whole of all things. It is the world. That is why, as Schopenhauer says, “we could just as well call the world embodied music as embodied will.”

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London's skyline

With the appointment of Sir Simon Rattle as the new music director of the grandest of London's many great orchestras come the excited whispers about the possibility of a new concert hall for the city's brilliant but beleaguered classical music scene. It is not too early to begin the conversation about how to imagine and understand such a hall – nor too late to assert how badly indeed it is needed. Here we will collect the thoughts and dialogues on the subject that we hope will make a difference in the debate that will inevitably to ensue.

Amalia Lindegren: 'Söndagsafton i en dalstuga' (detail), 1860

Ours is a musical culture. People of all musical tastes and backgrounds understand this. Music marks the passage of our moods, our days, our seasons, our years, and our lives. It brings us together, and it marks out our solitude. It celebrates our achievements and mourns our losses.

And the music itself is common property to all. It is not like, say, a painting that is sold and then belongs only to the purchaser, to hang over a sofa or in a private collection, perhaps to end up one day in a public gallery. You cannot buy a song or a symphony, only an instance of it. You cannot buy a box of chords or key signatures like you can a box of watercolors or pastels.

In fact, the music belongs even to those who haven’t heard it yet. We are trustees of an international treasure, obliged to understand the accident of our existence in this time and place more as a responsibility than an entitlement. This realization takes on a special meaning today for the defenders of music’s classical tradition.

For if it’s true that music is made of what you cannot buy, it is also true that a page of chords and key signatures is not what we enjoy when we enjoy music. We do not dance to sheets of paper covered with notes or recall a melody as ink markings on a staff. Music lives for us as a performance in which we partake, as musicians, as listeners, as dancers. And so the tradition of live performance is the heart of our classical tradition.

Our classical tradition, in turn, is at the heart of all our other musical traditions. What we are about is nothing less than the preservation, in trust, of the tradition of live classical music for the benefit of all posterity.

But we do need your help. Please consider joining us in support of this worthy cause.

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