Andrew Balio

Author

Château Fombrauge 2008 magnum nestled in an original Stradivarius case.

There is a natural harmony between the principles and values that describe classical music and those that define meta-luxury. Even more significantly, those principles and values resonate most deeply in our human nature, transcending all the boundaries that so worry us when we contemplate the problem of luxury.

A view of Baltimore after a storm has passed.

This week, as riots and demonstrations ravaged parts of Baltimore, business-as-usual came to a stop for practically everyone in the city, including the Baltimore Symphony Orchestra. The orchestra’s members were left wondering, like so many of their neighbors, what we could do in the face of the upheaval and heartbreak of a city in turmoil.

London's skyline

Both the LSO and London itself need and deserve a new concert hall – one that is fitting for the future of the city’s prestigious musical life and one that makes sense for the sake of its own success. It should be a beautiful and harmonious part of the face and community of London, and not a thumb in its eye and a middle finger to everyone else.

Luxury as the display of materialism. Image credit: Steve Granitz/WireImage.

It shouldn’t surprise us that orchestras are distancing themselves from the idea of luxury. We generally and perhaps rightly sense that there is something wrong with it. The most obvious reason is the uncomfortable fact that luxury represents a category that might necessarily exclude us – or indeed anybody. That, of course, does not describe classical music.

*                *                *