Articles

Cleaner sweeping the floor after the Wall Street crash, 1929

University of Texas

When philosophy goes wrong, we get know-nothingism or sophism. When our economy goes wrong, we get hedonistic materialism or the fantastical escalation and inflation of utterly immaterial derivatives and complex but bloodless financial instruments. When art goes wrong, we get a philistine welter of empty prettiness or an arid desert of conceptualism.

Detail of an illumination from a 13th century manuscript.

Future Symphony Institute

Engagement with the riches of a culture is a learning trajectory, not of formulae but of achievements of the human mind which may teach us what is right, what is good, what is meaningful and why, and in which context. It is a learning process which develops our capacity to make value judgments, without which no meaning can be found.

A full house at the old Metropolitan Opera House, at a concert by pianist Josef Hofmann, November 28, 1937.

New Criterion

You could be sour about the music industry if you wanted to be. Sadly, few orchestras now broadcast nationally. But the musicians’ union has a lot to answer for. It may have helped to make its members more prosperous, but it has been self-defeating in other ways.

Fritz Kreisler, Harold Bauer, Pablo Casals, and Walter Damrosch at Carnegie Hall in 1904

New Criterion

There will always be a type that can’t stand that the broad public fails to share his passions. They will not reconcile themselves to the fact that classical music will always be, as it has always been, a minority taste. But the minority – lucky us – has an abundance before it.

William Blake: The Great Red Dragon and the Woman Clothed with the Sun (detail), 1810.

Composer

The search for spirituality seems ubiquitous these days. But in what sense can we call a spirituality made in our own image, to suit our own comforts, to fit our own schedules and agendas, transcendent of anything?

American Arts Quarterly

As a young artist during the 1950s, I immediately got the point of modernism – to maintain a high aesthetic without relying on traditional narrative structure. But it required some effort to remove the crust of politics that had been applied to it during the 1930s – progressively distorting its deeper meaning and importance – by communist idealists, liberals, radicals, and fellow travelers, most notably in the arts and education.

Lionel Noel Royer: The Muses Garden, detail.

St. John's College

We are shaped not only by music, but also by our opinions about music. It is all the more important to revisit the connection between music and moral education in a culture like ours, steeped as it is in self-indulgence and vulgarity. The study of music as a liberal art gives students an extended opportunity to scrutinize their opinions – and to confront the causes and effects of their passions.

Composer

Music, and classical music in particular, is about the sculpting of time into significant forms, into grand architectural works extended in time. Its building blocks are sound and silence. Its reason for being is to provide us with sacred moments, inklings of the Other, in what is, for the most part, a profane world.

girl with fingers in her ears

Utah Symphony Orchestra

Do we really want to hear Beethoven’s Fifth as it was heard at its premiere? Do we want to listen to 50 unevenly trained musicians, give or take, playing for four hours on weak instruments that are hard to play, in an unheated concert hall conducted by a deaf man on one rehearsal?

Giorgio Vasari: Six Tuscan Poets

Future Symphony Institute

It is a common criticism today, as it was in 1341, that to look “backwards” is to look upon something old and decrepit, outdated and dilapidated. Time for us moves only forward, and so paradoxically, while our civilization grows old, it is our past that we label as aged and the day itself as eternally young.

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