Why does today’s Western art music strive so conspicuously for cultural relevance? Why are many of our university music faculties more concerned with cultural theory than with applied music? Why have we lost confidence in historical and applied models of musicology, and moreover in the tonal tradition that forms the basis of the greatest musical heritage known to mankind?
I value the musical education that I received, since it did not merely implant in me a love of serious music, but also opened my mind to the way music is composed. It gave me an inside view of the workings of this art, and of the extraordinary part it has had to play in the history of the West.